The Body of The Soul explores the tension between impermanence and endurance. Crumbling walls and youthful forms coexist in the same frame — matter erodes, yet presence remains.

Rooted in the tradition of vanitas, the series reflects on time not as decline, but as transformation. Where surfaces fracture, the body appears suspended, almost untouched — suggesting a beauty that resists decay.

Classical echoes are intentional, grounding the work in a lineage of enduring form while shifting the focus from appearance to essence.

This series was presented in a solo exhibition in Cortona, Tuscany.