I arrived from “above” — from the other side of the world — and found myself drawn to the space, the silence, and the distance. The light felt sharper, the contrasts clearer, the materials more direct.
What may seem ordinary to locals often appeared slightly surreal to me. There is isolation here, yes — but also a generous emptiness: a vastness that offers room to breathe, to observe, to reflect.
These photographs are small visual notes — like postcards pinned to memory — a way of looking at a country I have come to admire deeply, perhaps slightly upside down.
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